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Project 2 - Old School

Coming up:
I cut some paper, make a perfect cube and somehow get turned into paper.

Fancy going old school?
Yes? well it’s good news! For the next three weeks, we’ll be doing a project called Old School, where we will taking on a handful of tasks where we will have to do everything in person and use materials in hand over doing things digitally well, mostly. 
For the first few challenges, we were tasked to create some books from a bunch of high quality paper that was bought in for us to use. They said that the pages had to be at least A5 in size and have at least 20 of them, so we used craft knifes, metal rulers (cork backed if possible) and a cutting mat so that we didn’t cut any unwanted materials such as expensive tables. The first book was to be stapled in the middle, however, I used way too thick paper and the stapler didn’t really go through which is fun, but now we know for next time!
We were tasked to create a weird cut out design of our choosing, just to test our scalpel skills really, so I went for an almost symmetrical circle cut out thing, I don’t really know how to explain it, but I thought it looked quite cool. Obviously, I now know that I could be a bit more adventurous for next time when it comes to using scalpels to create a design.
The next challenge was to create a pop out design using our now professional scalpel skills, and I went for a more mathematic attempt this time rather than going fully freehand, so I created a cm grid on the back half of the paper, Then scribbled through some squares in the hope of creating lots of squares that would come out getting bigger and bigger through to the middle, then slowly get smaller however, just after the halfway mark, my craft knife decided to depart the ruler and very kindly split through the rest of the paper that I was about to cut through, so i was only left with half of the design, which doesn’t even stand up as well as I had hoped, but we move on.
For the second week, We were tasked with creating some 3D objects, starting with a cube of 80mm by 80mm. Thankfully, this task went by with much more ease than the others, thanks to learning about nets many many moons ago at school. That being said, I still had a couple gaps here and there where the folding marks didn’t quite match up perfectly in the corners, but that’s nothing to worry about too much. For a bit of fun, I made another slightly smaller one made out of a map that I got from a charity shop, which proved to be a bit more of a challenge as it is a much thinner material, but still, it looked quite cool.
We were the tasked to create a pyramid out of paper, which also had to be 80mm high, which turned out to be more difficult that expected. I measure the base to be an 80mm square, but obviously when you fold all the triangles over, those 80 mm edges would be shorter than 80mm as they wouldn’t be up straight. So, as you can probably guess, I haven’t quite figured it out as yet, but at least the slightly shortened pyramid stands well and has actually stayed stuck on all of the edges.
It is time to go through some of the tasks that I never got through and have had the time to get complete before we get assessed. This was the perfectly pristine, pen drawn 40mm square on layout paper. I did this badly before, but on this attempt, I just folded a bit A4 paper in half both landscape and portrait, then drew a perfect 40mm square in the middle, so that I could draw the perfect square over the top on the layout paper as it would see through to that page underneath it.
In terms of the other tasks I had to get done, I got around to making the first challenge’s book, which I did completely wrong but never mind, we’ll gloss over that one, and then we move onto the perfectly cut out foam board mount, which I think came out really well. I was super careful and precise to make sure it came out really well in the end and while it is simply a blue and white rectangle, it does give me some smart options to play around with if I ever need to show some clients my work in a professional way.
The third week of this paper extravaganza project sees us create a paper folding toy, which will have to be printed and made by Friday, so obviously, I have created a mood board on Illustrator to help give me some ideas, and I really liked the idea of doing something typically British, so this mood board is mostly just full of things I see as being British, from your over the top health and safety notices, roadworks lasting half a decade, run down, empty high streets and the British street furniture.
The only thing I really need to remember is that this will be a paper toy that represents us as a person and should be recognisable to other people, so I will try my hardest not to create a diversion sign or anything like that.
​So, here is the worst collage in history, which is supposed to represent my paper toy initial idea. This will be me, most likely wearing a F1 related shirt, standing at a set of lights waiting to cross while looking at my watch to create what I believe is a very British image. I hope that the traffic light post will stand up just by cutting and folding the paper at the bottom, maybe with a passing car or something. I am fully aware that this will probably not all fit on one page of A4 but I am feeling happy enough to give it my best shot.
Right, let’s get cracking shall we? To start off, I will work on the pedestrian crossing with the ICONIC British crossing button thing that sits on a traffic light post. I have used the Pen Tool in Illustrator, which is something I will be using a lot of, to go around and build up the image using shapes to get a fairly basic outline of the machine. I don’t like to use too many colours in my work most of the time, but have used enough here to make it recognisable to anyone from Britain.
​The next stage of this paper toy design is to actually finish off the traffic light, which I have done by using an image of a set of lights and by using the Pen Tool, which this time I have used a bit more line work to make it feel more like some artwork over just a simple digital outline, so I have used my knowledge of the Pen Tool to extend the lines and almost make some waves, which is something I have been practicing a lot with behind the scenes as I think they look really cool when all the colours build up an image.
So, here we go then, this is my traffic light post, pretty basic i know, but I’m hopeful that it will look the part by the end of the week!
This is pretty much an Unsplash appreciation post as it has helped me countless times in the past few years and I know I will be using it again in projects to come. The photos of the taxis are for what I will post next up, but still, it shows how high quality all of the photos are on this website and are really helpful to use in projects requiring imagery.
After talking about the taxi images, let’s put them to good use. I started off by cutting out the taxi and the road using the Polygonal Selection Tool in Photoshop, then dragging that over into Illustrator, where I would then crop it to just about wider than this blue rectangle that I have added in to use as what will cut out and fold up, and then use the Gaussian Blur Tool to allow the image to blur just that little bit, enough to make it feel like it is driving past you. I then just made sure that there was no blue from the background seeping through the now blurred image by scaling it that bit bigger. This is now ready to go alongside the crossing that I will be drawing out in Illustrator shortly.
So, the next step was to create my actual character for the paper toy as this is supposed to represent us after all. While doing some Googling, I found this quite simplistic net of some superhero and just felt like this sort of thing would sit in my paper toy really well as it saves space on the actual paper and would be easier for people to make at home. So, I used the Pen Tool in Illustrator to recreate a similar net design, then went in on layers below to create the actual character of myself. In terms of making it look somewhat like me, I used a photo of me to create the face after using the Pen Tool once again, then added my lucky blue jeans along with a Formula 1 T-shirt as that is pretty much my life summed up. To make the character not too small for the design, I turned it about 45º just so it can be scaled up as much as possible without going over the edges, which also gives me more space for some design work above.
The next step for my design was going to just be whack it on an A4 sheet of paper and print it off, however, as I’m on a Graphic Design course, it makes sense to create a logo for it all right?
So, I opened up Illustrator once again and went with the name ‘British Patience’ as it perfectly represented the paper toy that I had come up with. Like I said in the comic project, I just type in the name of my new brand, and then just play around with a bunch of different fonts to see what ones can stand out the most. 
The font that I liked the most turned out to be an Italic one, which I rarely use to be honest, however it stood out to me in the crowd of other fonts, and then I had the idea of having it at a slight angle, so the the letters were somewhat upright, but the word continued up, only a little bit though otherwise it could be too difficult to read.
The next step after selecting my font was to start playing around with different objects and shapes to see if I can come up with anything quite interesting. The first attempts were quite literally just a little narrow triangle underneath which just looked pointless, and then I had the idea of whacking the Union Flag behind the text, because what is more British than indulging the true Britishness by sticking the Union Flag over everything to make sure people know that it is from Great Britain. I made a vector Union Flag from an image off of Google, then used different lines with the Shape Builder Tool in Illustrator to get a flag that just sits above the text and allows the both to stand out. 
The overall logo, considering I did it all in about an hour, maybe 30 minutes more, came out quite well in my opinion, as it suits the project and the idea of a British paper toy. I’m sure it’ll fit quite nicely on the sheet above the net of my paper toy.
After all of this work, I am hoping to have redeemed myself after the not so great paper work over the past couple of weeks. This is the final paper net for the paper toy for this weeks task and I think it looks smashing, especially now that I have gone in, added the new logo and some user friendly text and instructions for people to use when making it in real life.
We turn to the real world now, and as you can see, I have printed the final net out, which looks nice and professional on thick paper, and then I went in with a craft knife to slowly and carefully cut out all of the nets. In terms for the character, it was pretty basic, but it still represented me and worked quite well which is good, and then the background... The background worked really well apart from one colossal part, behind the traffic light. While I quite liked the thought of it showing a passing car, I’m not too sure it looked right only having a tiny part of a car what stands up with the traffic light, so that was a shame that it didn’t work, and then for the road and buildings, they just didn’t really line up with the background, which was kind of the reason I went for the whole 3D setup of the toy, but overall, it looks really cool and I feel like I have redeemed myself after a couple weeks of not so good paper cutting and tasks.

Project 1 - Comics

Coming up:
We attempt to work as a team and we make a magazine of an old nursery rhyme.

The beginning of a new project is always about research in my opinion, this gives you the optimum amount of inspiration and a million different ideas of things to do to allow you to finely tune your ideas as you work out what to do. 
Our first project sees us embarking on creating a comic in groups of three, ah everyone’s favourite thing to do when no one knows each other...
Anyways, after we had got the awkward meet and greeting out of the way, we quickly came to the idea of what we would do for our Jack Sprat comic. We loved the idea of having a contrast between Jack Sprat and his wife, which we felt we could do in the way of showing one page for each person, contrasting from a very neat and classy page for Jack Sprat, and then a very messy and disgusting page for his wife. 
For Jack Sprat, we liked the idea of using some French architecture and just some posh surroundings to really fit the bid of it all being very neat and classy on his side. Then obviously, we’d do the complete opposite for his wife.
In terms of the styling for the magazine itself, it was more of a free for all, however I really liked the idea of laying out the scenes like this Saul Bass poster for The Man With The Golden Arm as it looks like all of the shapes have been ripped from paper and I don’t know, it felt like it could look cool if every scene was ripped out to add in that extra feel of messy for Jack Sprat’s wife.
It made sense for the graphic designer of the group to work on the front and back cover, so that was what my main task was, just trying to find a style for them. I had recently been doing some illustrations in Illustrator and was going to go along the lines of something like this Brooklyn poster that I found on Pinterest, so nice big shapes in block colours to build up a really nice, colour limited outcome, however, as you will see soon, I decided to just play around on Photoshop and come up with something a tiny bit different.
​After much debate over the colour scheme, we settled for a light blue, dark blue and a nice darkish red. Another idea we had was keeping one colour per character, then slowly merging the colours as the characters got closer by the end of the magazine, therefore creating a nice purple. While the end result may not have incorporated them as much as planned, they still liked really cool!
Anyway, here is the colour palate that I thought could come in handy after a lot of time spent on Coolors.co. 
​Right then, I suppose I should go through what I have been up to!
First off, I went on my favourite website, Unsplash.com, just to find some really nice and high resolution images, more specifically of French architecture that we were talking about from the beginning. This photo of a massive house facing it head on really stood out to me and I really wanted to play around with it to see what I can come up with for the front and back covers.
To start off, I had a little taste and test with some of the filters in Photoshop’s Filter Gallery until I came across the Photocopy option. This basically split the image into blue and yellow, I don’t know why it chose those colours but still, I then deleted the blue background and made everything else black, which as you can see, gave my a really nice hand drawn effect over the original image. While this may be a bit cheaty, It is all there for you to play around with so shush... 
The next step was to actually colour it in, and while I was tempted to go for lots of detail, I actually just ended up doing a very simple and rough outline of the building so allow for some wonky lines in the hope of a weird and whacky end result, and sure enough, when I added the black sketch effected image back over the top, it looked really cool so I stuck with it!
While experimenting with more colours before I chose the blues and the red, the original idea for the colours was to use lots of contrasting greens, yellows and purples, so that was what I originally gave a go at using.
Once I had all of the colours and basic background sorted out, I then gave some old textures from old projects a go on Photoshop once again to see if I could come up with some random and interesting outcomes. While the textures didn’t really link into the story or theme yet, I still think these halftone and weird digital circles worked really well over the top of it.
You may have also spotted that I have been attempting at creating a logo for the front cover as this is a very important part of anything that is to be sold really, so I will be playing around a bit more with the logos before I stick to using one.
​In terms of logos, I kept playing around on Illustrator as always just to see what I can come up with.
The beginning of all of my logo projects has been just typing the the name and then finding about 10-20 different fonts, then copy and paste them a couple times, changing the words through from uppercase, title case and then lowercase, just so this gives me a wide range of different text, meaning that what ever ones stand out in the crowd would be the ones to actually us.
The next step is to play around with the layout of the text, seeing if “Sprat” could fit well underneath the “Jack”. Then I would play with colours, seeing if I can get it to stand out even more, seeing how they look on different backgrounds, or using some shapes to work with them. While a logo is usually a shape, I felt like for Jack Sprat, it just needed to be the basic name so people can recognise it more easily, and the fact that it is also a magazine front cover, it really just needed to be the text for now.
As you can see, I had a couple of bad ideas, which I thought you should see just to show that I do actually use more than one idea! Another reason I wanted to share one of them is because when I added the blue and white, which felt like the right decision at the time, it then turned out to look somewhat similar to the old Frosties logo, so my magazine was more representative as a box of cereal rather than a magazine, so that idea didn’t stick for very long.
The idea that I went with in the end was this bold ‘Jack’ in yellow and the white and rather smaller ‘Sprat’, which all have a black, bold outline to let them stand out just that bit more. What makes it work that little bit more than the others is that rather than just adding a stroke and ending it there, I copy and pasted one in all black and just offset it a little bit, then used the blend tool in Illustrator to blend the two shapes in the back to make it feel almost 3D. This makes it stand out even more when you take a glance at it as it is almost reaching out to you, well not quite, I’m pretty sure text can’t reach out at you yet but maybe it can when I improve my skills at animation ;)
Anyway, let us move onto the front and back cover then. These have changed a little bit since you would have last seen them, but the basic concept is still the same. I removed the weird 80′s sun that was behind the building, letting the building stand out a bit more with just a blue sky. The new and updated logo was then placed above it, fairly high up too so that it didn’t merge into the artwork too much.
For the actual front cover, I made the executive decision to make it black and grey , with the wine red and dark blue in the background and logo, with some new and more rugged textures to merge the classy part of Jack, along with the messy side of his wife.
So, here is our collective final comic book. Straight away, I was very impressed with their illustrations for the inside of the book, I wouldn’t even know where to start with them! In terms of my work, this is what resulted of my experiments with Photoshop and Illustrator. To make it feel more like something that you would expect to see in the real world, I have added in the pièce de résistance for the front and back cover including a barcode, a little bit about the history of the novel on the back, and then a little bar for the price, comic book number / date, and even a little drawing of the main man Mr Sprat. This really adds to the designs as it feels like something you would see in a real world shop or perhaps even The Lakes’ International Comic Book Festival... Okay maybe not, but still, it came out really well in my opinion.







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